MasterBlog: The Black Female Subject

I find that Foucault’s characterization of the Panopticon – the surveillance-based system of imprisonment and self-discipline originally postulated┬áby Jeremy Bentham – can be applied in a million fascinating ways to film analysis. Panopticism, essentially, ensures that a subject is constantly contained in a state of paranoia and behavioral self-regulation as she can never be sure if she is being watched and/or measured up for some kind of punishment by the authority (sometimes the state apparatus).

The black female subject often operates under a kind of cultural panopticism. Her body, as a site of intersection between racial and gender identity, is under scrutiny; however, as a subject, she is hard-pressed to find a context in which she may hold the power of the gaze (or indeed even find a media representation of herself which removes the specters of patriarchy and white supremacy, and allows her a complex, private internal world).

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