One of the things that makes Spike Lee’s Do the Right Thing such a compelling film, no matter the time or the context, is its one-of-a-kind sense of style. Lee’s vision is urgently alive with image and sound, full of quick cuts, jarring angles, and uncannily intimate POV shots. Its vividity is at once cartoonish and raw. What we’re seeing is one auteur’s interpretation of the matrix of racist ideologies in which we all live, and because this film is an opus of self-identity, it’s formulated like an audiovisual missile. I’m interested in exploring the question of why the sounds, images, and spoken dialogue of Do the Right Thing are designed to hit hard, and how this film embodies Robert Stam (and others’) characterization of New Black Cinema.