MasterBlog: The Cinematic Apparatus

I’ve decided to start posting some of my work as I happily plod my way through the Masters in Cinema & Media Studies program at UCLA. It’ll be a lot of dense theory mixed with my usual manic fangirl stuff. I’ll list all my references, films, TV, etc at the bottom. Enjoy!

At first glance, Christian Metz’s analysis of the cinematic apparatus appears to engage Lacanian psychoanalytic theory in a straightforward way; he begins with the child conceiving of himself (and all that makes him human and corporeal and cognizant) through gazing at his own reflection in a mirror. But the amount of “perceptual wealth” that Metz describes in audiovisual media, particularly film, requires an apparatus with far more nuance than the child’s first mirror. Metz really deconstructs the very nature of watching fiction in “The Imaginary Signifier: Psychoanalysis and Cinema” – and the important distinction which serves as a jumping-off point is that the viewer (unlike the child) identifies himself as the character, not the spectator. S/he not only views a film as a passive appreciator – like a museum-goer – s/he essentially jumps in, seeing her/himself within the action of the world and seeing him/herself seeing the film. Metz’ audience is hyperaware of filmic fiction’s need for an audience, to function and to be comprehensible. “At every moment, I am in the film by my look’s caress.”

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